-->
Mostrando entradas con la etiqueta IN ENGLISH. Mostrar todas las entradas
Mostrando entradas con la etiqueta IN ENGLISH. Mostrar todas las entradas

sábado, 18 de mayo de 2013

TICCIH Bulletin Número 60, 2º cuarto de 2013


El nuevo boletín del Comité Internacional para la Conservación del Patrimonio Industrial (TICCIH) dedica atención, en su apartado Worldwide pág. 12, a las Fábricas de Riópar. Se trata de un breve artículo escrito por Marta Vera, con la ayuda de Julia Lozano en la traducción, que sobrevuela las características el Conjunto Histórico hasta hoy, o mejor, hasta AHORA, como un momento crucial para prestarle atención a estas fábricas como el  bien valioso y frágil que son. Fundada en la Primera Revolución Industrial por el ingeniero vienés Johannes Georg Graubner, es un singular eslabón de nuestra común historia industrial europea, en concreto de la industria metalúrgica del cinc y sus derivados.  El artículo fue publicado con la ayuda de Gracia Dorel-Ferré, que ya conoce bien Riópar y nos ha ido alumbrando el camino. Desde aquí le damos las gracias.

Otros muchos artículos muestran la actividad internacional, concienciada con la defensa, investigación y reutilización del patrimonio industrial en peligro.

Desde la sección de descargas de este blog y desde estos links se puede 

ACCEDER AL BOLETÍN/ Download Bulletin:

pdf 

Issu 


miércoles, 2 de mayo de 2012

History of the Royal Factories of San Juan de Alcaraz

Foreword 


The loss of historical references seems to be a fatal destiny which chases humanity. Sometimes we look at old ruins covered up by weeds and bushes and see nothing more than that, weeds and bushes, trying to recover what once upon a time was theirs.

But sometimes we feel we have to dig and unearth old documents, trying to explain what we see.

The Royal Factories of San Juan of Alcaraz, or Riópar, as they are known now, is a little rural village, where most of its inhabitants and near all the many visitors who come to visit us have lost the historical references that explain why this village is here and why it is like that.  For many, Riópar is a vague souvenir of factories that produced brass articles for domestic use and house decoration. But if we dig  deeper we can find many details of the great importance this industrial settlement had, the technological innovation that was developed here, the enormous change that this rural society went through and  the European vocation that took place in this village, lost nowhere among mountains.

Our task is to gather as many documents as we can and we will be very pleased if we can contribute in any way to a better knowledge of our dear village and its history.

I.- Background


The existence of the Royal Factories of San Juan de Alcaraz is due, as other Royal Factories disseminated throughout the Spanish geography, to a change of ideas and new philosophies which took place with the arrival of the Bourbons dynasty to the Spanish throne in the XVIII century: The Illustration.

In the previous century Spain was deeply sunk in itself and was isolated from intellectual, scientific and technological advances that were taken place in other parts of Europe: we were not able to produce porcelain, textiles, glass or cutlery sets, machinery, arms, etc., which had to be imported from other countries, with the consequent diminish of the royal treasury. Thus, it was necessary to send abroad able men to learn these trades, or to get some masters from abroad to come to Spain and teach the trades to other native craftsmen.

The Illustration came to Spain by the hand of the Bourbons and among other things, they took care to modernise the national industry. They favoured the coming of new techniques and crafts, and changed the old, obsolete factories for new models: The Royal Factories, following the French model.
Besides of a protectionist philosophy, the Bourbons were seeking the supply of much needed articles to fill their palaces, without spending too much money on royalties and taxes on imports. The Royal Factories of porcelain of El Buen Retiro, of glass in La Granja de San Idelfonso and of tapestry in Santa Barbara are a good example. But they also created other factories to satisfy the need for strategic products, as the Royal Factories of Liérganes and la Cavada (iron foundry) or the Royal Maestranzas de Sevilla, Barcelona or Ripoll, which supplied arms and gun powder. The Royal Factories of San Juan de Alcaraz obey to this philosophy, for here it was to be produced brass sheets, much used by the artisans and craftsmen in Spain and that it had to be imported from the foundries of Gösler (Germany), England, Netherlands or even Sweden.
Thus, The Royal factories of San Juan would become the first foundry in Spain able to produced brass in different formats, out of a calamine mine discovered on the right margin of The Mundo River. Cinz could be obtained out of calamine, which melted in the right proportions with cupper, a mineral also found nearby, would yield brass, a metal very much used at the time for making many household items, which were in great demand, as well as other items used in industries and even the army...




[clic.. READ THE WHOLE TEXT ..clic]


© José Manuel Moreno Sánchez


[1] Distrito Minero de Murcia. Estudio Geológico Industrial de Yacimientos Minerales. Año 1.920. pp. 6
[2] Juan Helguera Quijada “ La Industria Metalúrgica Experimental en el siglo XVIII: Las Reales Fábricas de San Juan de Alcaraz, 1772-1800”, Págs. 260-262.

jueves, 1 de marzo de 2012

RIOPAR FACTORIES

Healing wounds, constructing future: Riopar Factories



The history and technical characteristics of the Metal Factories of San Juan de Alcaraz, in Riopar (Albacete) 
is a unique chapter in the history of Spanish technology, recognized in studies of industrial archaeology and its claim as a unique link in its technique history.



It is a historic milestone: the first brass factory founded on Spanish soil, pioneer in metallurgical experiments and hydraulic engineering applied to mass production, within the European context of the first industrial revolution. The Royal Brass Factory was founded in 1773, under the protection of the economic policies of Carlos III. It is an exceptional case for having resisted all kinds of lucks until its closure in 1996: no less than 233 years of industrial and business history.


In its creation and development are involved leading engineers and architects at the time: its creator, the Viennese Johann Georg Graubner, Juan de Villanueva, Carlos Lemaur, Augustin de Larramendi ... The factory complex was developing an entire production process: from raw material extraction from the bowels of the mountain to the finish, more or less artistic, items for the market.


 Objects made ​​here during the nineteenth and twentieth centuries are present in homes, churches and palaces: lamps, reliquaries, braziers, beds, door knockers, bronze sculptures ... endless articles prized in the XIX century  Universal Exhibitions

The factory gave birth to the town, located in a Natural Park (Calares del Mundo y de la Sima). There was the only zinc mine known at that time in Spain: Riopar was born from a wound in the mountain.

Until the 70 decade, it was an industrial colony with the typical strong paternalism of the era. All municipal services were borne by the factory: the local town hall, chapel and priest's house, clinic and doctor's house, the barracks of the Guardia Civil, the inn, the theatre, the local music band are owned by the company. In 1954 was declared "empresa modelo" by the Franco regime, for its "exemplary performance" and energy self-sufficiency, with its hydroelectric plants in operation, giving light to the whole town. 
Serious problems started at the end of the dictatorship: global markets opening and internal dysfunctions led to the closure of the company in 1996, after a couple of attempts to work it out as a cooperative.
Closure was traumatic; it is hard for the people to talk about those years, of which they have a bitter memory. The failure of his fight to avoid the close of this century-old company, which families have lived from the beginning, yet weighs: the factory was school, and life.

Our own families had  worked here. When we realized the richness of this mistreated heritage, and its great possibilities, we searched for others and we started to bring the project into reality by engaging relevant local stakeholders, giving birth of "Friends of the Royal Factories of Riopar Asociation" (AARFR) a not-for-profit organization that promotes industrial heritage preservation and sustainable use, directing its conservation towards the generation of employment and wealth in the region.

We work in the development of our now declared “Conjunto Histórico de las Fábricas de Metales de Riópar”, building upon the idea of ecomuseums. The AARFR is a transparent institution, awake and creative, open to all, committed to represent the interests of all, to be articulated as a puzzle that far contravened, together revitalize this heritage.

In a year of work we have achieved: 

1. A Director Plan for the historic complex, funded by the Institute of Cultural Heritage of Spain, and developed with collaboration of AARFR, as a roadmap for future action.

2. The Presence of the Factories Riópar at meetings of the National Industrial Heritage, and the networks of professionals and scholars working on the revaluation of industrial heritage.

3. The participation of the people in the process of recovering the history of these mills, basic to its value; the revitalization of the cultural life of Riópar, through the Lectures serie "Mirar lo propio con ojos propios" that continues throughout this year. We are involving the local community in the process, to take cognizance of the protagonist of their experiences in regard to recover historical work memory.We are collecting the testimonies of the main characters of this story: his memory is of significant importance for the understanding of the industrial history of Castilla la Mancha, and widely, Europe.

4. The establishment of a documentation centre (to complete the Historic Archive of the Factories Riópar, recently catalogued) to generate knowledge open to all researchers and attract wider functions and richness for the Museum, located in the heart of the historic complex.

5.  The rescue of heritage which is under the collapse of part of the main building.

6. The development of Industrial routes that will certainly be instrumental in the recovery of our battered tourism.

7. The development of a web for the museum, according to the importance of the heritage that preserves and exhibits.


The association also carries out a vigilance work, reporting the spoliation that our common heritage has sadly suffered as well as the lack of care that it is exposed to.